Tuesday, 23 November 1971

JIMMY WALTER

Born: April 27th, 1930, Paris (France)
Died: September 20th, 2012, La Ferté Macé (France)
Nationality: French

In due course, the short impression below will be replaced with a more extensive career overview


BIOGRAPHY

Benjamin ‘Jimmy’ Walter composed the most famous song of Boris Vian, ‘Le déserteur’ (1954), a protest against the ongoing French colonial war in Indochina. Other songs he wrote for Vian include ‘Cinématographe’ and ‘Les joyeux bouchers’. He accompanied Vian with his orchestra, which featured, amongst others, Léo Petit, Benny Vasseur, and Roger Bourdin.

EUROVISION SONG CONTEST

Together with music business tycoon Eddie Barclay, Walter composed the music to ‘Marlène’ (lyrics: Henri Djian), an homage song to Marlène Dietrich. In 1970, this was the Monegasque entry to the Eurovision Song Contest in Amsterdam, performed by the then 16-years-old Dominique Dussault. Working with an orchestration written by Jean Bouchéty, Walter conducted the Metropole Orchestra for Dussault’s performance. The song finished in 8th place.

EUROVISION INVOLVEMENT YEAR BY YEAR

Country – Monaco
Song title – "Marlène"
Rendition – Dominique Dussault 
Lyrics – Henri Djian
Composition – Jimmy Walter / Eddie Barclay
Studio arrangement – Jean Bouchéty
(studio orchestra conducted by Jimmy Walter)
Live orchestration – Jean Bouchéty
Conductor – Jimmy Walter
Score – 8th place (5 votes)

Friday, 19 November 1971

RAYMOND LEFÈVRE

Born: November 20th, 1929, Calais (France)
Died: June 27th, 2008, Seine-Port (France)
Nationality: French

In due course, the short impression below will be replaced with a more extensive career overview


BIOGRAPHY
 
Raymond Lefèvre studied piano and flute in Paris, graduating with first prizes for both instruments. In the early 1950s, he played the piano in the orchestras of Hubert Rostaing, Bobby Jaspar, and Franck Pourcel. In 1953, he worked in the Hilton Hotel, Los Angeles, as a bar pianist. After he had been signed by the Barclay label in 1956, he recorded the first instrumental album with his own orchestra. Many were to follow, selling millions of records world-wide – especially in Japan – and scoring hits with his re-arranged versions of well-known hits, such as ‘The Day That The Rains Came’ in 1956, ‘Ame Câline (Soul Coaxin’)’ in 1968, and ‘La reine de Saba’ (1972). Lefèvre’s orchestrations were charactersed by the sweeping strings which were the trademark of his mentor Pourcel, but, as a rule, contained more brass and were slightly more up-beat.

With his orchestra, he performed in many French TV shows, including Musicorama (in the 1950s) and Palmarès des Chansons (1965-67), accompanying the likes of Dalida, Claude François, and Richard Anthony. Lefèvre was an energetic composer and arranger, penning the soundtracks of countless films, including most of the comedies starring Louis de Funès, as well as the hit single ‘I Will Follow Him’ by Peggy March (co-written by his friends Paul Mauriat and Franck Pourcel). Lefèvre made world-tours, continuing up to a high age. His last concerts were in Japan in the early 2000s.

EUROVISION SONG CONTEST

Hired by Monaco’s TV station, Lefèvre conducted the Monegasque entries of 1960, 1961, 1962, and 1963, accompanying François Deguelt (twice), Colette Deréal, and ye-ye star Françoise Hardy. Several years later, in 1970, he returned to the contest as the arranger and conductor of the Luxembourg entry ‘Je suis tombé du ciel’, which, in the rendition of David Alexandre Winter, did not manage to score a single point.

EUROVISION INVOLVEMENT YEAR BY YEAR

Country – Monaco
Song title – “Ce soir-là”
Rendition – François Deguelt
Lyrics – Pierre Dorsey
Composition – Hubert Giraud
Studio arrangement – Jo Moutet
(studio orchestra conducted by Jo Moutet)
Live orchestration – Raymond Lefèvre
Conductor – Raymond Lefèvre
Score – 3rd place (15 votes)

Country – Monaco
Song title – “Allons, allons les enfants”
Rendition – Colette Deréal
Lyrics – Pierre Delanoë
Composition – Hubert Giraud
Studio arrangement – Jean Bouchéty
(studio orchestra conducted by Jean Bouchéty)
Live orchestration – Jean Bouchéty
Conductor – Raymond Lefèvre
Score – 10th place (6 votes)

Country – Monaco
Song title – “Dis rien”
Rendition – François Deguelt
Lyrics – René Rouzaud
Composition – Henri Salvador
Studio arrangement – Jo Moutet
(studio orchestra conducted by Jo Moutet)
Live orchestration – Jo Moutet
Conductor – Raymond Lefèvre
Score – 2nd place (13 votes)

Country – Monaco
Song title – “L'amour s'en va”
Rendition – Françoise Hardy
Lyrics – Françoise Hardy
Composition – Françoise Hardy
Studio arrangement – Marcel Hendrix
(studio orchestra conducted by Marcel Hendrix)
Live orchestration – Raymond Lefèvre
Conductor – Raymond Lefèvre
Score – 5th place (25 votes)

Country – Luxembourg
Song title – “Je suis tombé du ciel”
Rendition – David Alexandre Winter
Lyrics – Eddy Marnay
Composition – Yves De Vriendt
Studio arrangement – Raymond Lefèvre
(studio orchestra conducted by Raymond Lefèvre)
Live orchestration – Raymond Lefèvre
Conductor – Raymond Lefèvre
Score – 12th place (0 votes)

Wednesday, 10 November 1971

MARIO CAPUANO

Born: 1945, Rome (Italy)
Nationality: Italian

In due course, the short impression below will be replaced with a more extensive career overview


BIOGRAPHY

Mario Capuano seems to have begun his career as a pianist, but subsequently became a record producer and arranger. With his brother Giosy Capuano and Giacomo Tosti, he helped to build up a repertoire for Scottish band Middle Of The Road, co-producing their first successes, including ‘Chirpy Chirpy Cheep Cheep’ and ‘Sacramento’ (the latter co-composed by Capuano). Mario Capuano appeared as a conductor in Italy’s San Remo Festival three times (1967, 1969, and 1970). Later, again with his brother Giosy, he composed the song ‘Perdoname’ for Demis Roussos as well as entries to five more editions of the San Remo Festival (1983, 1988, 1989, 1993, and 2003).

EUROVISION SONG CONTEST

Mario Capuano arranged and conducted the Italian entry in the 1970 Eurovision Song Contest, ‘Occhi di ragazza’ (composed by Armando Franceschini and Lucio Dalla with lyrics by Sergio Bardotti and Gianfranco Baldazza), which was performed by Gianni Morandi. That year, Italy landed a joint eighth place in the contest, which was held in Amsterdam.

EUROVISION INVOLVEMENT YEAR BY YEAR

Country – Italy
Song title – "Occhi di ragazza"
Rendition – Gianni Morandi
Lyrics – Gianfranco Baldazza / Sergio Bardotti 
Composition – Lucio Dalla / Armando Franceschini
Studio arrangement – Mario Capuano 
(studio orchestra conducted by Mario Capuano)
Live orchestration – Mario Capuano
Conductor – Mario Capuano
Score – 8th place (5 votes)

Saturday, 6 November 1971

BERNARD GÉRARD

Born: April 26th, 1930, Mouvaux (France)
Died: June 29th, 2000, Etterbeek, Brussels (Belgium)
Nationality: French

In due course, the short impression below will be replaced with a more extensive career overview


BIOGRAPHY

Bernard Gérard worked as an arranger for various artists, including Pierre Perret and Félix Leclerc, with whom he recorded two albums; for Juliette Gréco, he orchestrated one of her best-known songs, ‘Déshabillez-moi’ (1967). Moreover, he wrote several film scores, including Ne nous fâchons pas (1966) and La route de Salina (1971).

EUROVISION SONG CONTEST

Gérard competed in the Eurovision Song Contest on one occasion, in 1970, when he arranged and conducted the Swiss entry, ‘Retour’, composed and performed by Henri Dés. This song finished in joint fourth place.

EUROVISION INVOLVEMENT YEAR BY YEAR

Country – Switzerland
Song title – "Retour"
Rendition – Henri Dès 
Lyrics – Henri Destraz
Composition – Henri Destraz
Studio arrangement – Bernard Gérard
(studio orchestra conducted by Bernard Gérard)
Live orchestration – Bernard Gérard
Conductor – Bernard Gérard
Score – 4th place (8 votes)

Tuesday, 19 October 1971

FERRER TRINDADE

Born: December 9th, 1917, Barreiro (Portugal)
Died: January 13th, 1999, Setúbal (Portugal)
Nationality: Portuguese

Below, a medium-length article detailing the life and works of Ferrer Trindade can be found. Hopefully, in due course, it can be extended to a full-fledged biography


BIOGRAPHY

Ferrer Trindade was born in Barreiro, near Setúbal, in 1917. During his childhood he discovered his penchant and talent for music and it was not long before he joined various amateur ensembles, such as the guitar group Os Timpanos and the band Os Franceses, where he learnt to play the clarinet.

He decided to enter the National Conservatoire of Lisbon as an external student, earning a living with a daytime job, playing in bands during the evenings and studying music at night. He graduated from the conservatoire, having followed courses in acoustics, music history, composition, piano, violin, and wind instruments. Among his teachers was Luís de Freitas Branco (1890-1955), perhaps the most important classical composer Portugal has ever produced. As a student, Trindade played the clarinet in the Portuguese Navy Band and later made his debut as a violinist in the Lisbon Philharmonic Orchestra.

After his graduation, Trindade formed an orchestra of his own, with which, in the 1940s, he performed in various Portuguese casinos, amongst which those in Estoril and Póvoa do Varzim. As such, he accompanied a great number of Portuguese and international artists, who performed in those casinos. He took up arranging as well, writing countless scores for his orchestra.

Trindade regularly tried his hand at composing songs, too, collaborating with various lyricists, such as Francisco Nicholson, Frederico de Brito, and Aníbal Nazaré. The most successful and lasting of Trindade’s compositions is without a shadow of a doubt the fado ‘Solidão’, which was performed by the legendary Portuguese singer Amália Rodrigues in the movie picture ‘Les amants du Tage’ (1955). It became one of Rodrigues’ most popular songs. 

It was not until much later, however, that Trindade’s composition was propelled to world fame. In 1987, another Portuguese singer, Anamar, recorded a new version of the song with different lyrics, released under the title ‘Canção do mar’. Six years later, in 1993, Dulce Pontes recorded her interpretation of this version, this time however with a completely new, grandiose orchestration written by Ramón Galarza, and released it on her album ‘Lágrimas’. This album turned out to be an international best-seller, and ‘Canção do mar’ became the trademark for a remarkable revival of Portuguese folk and fado music around the globe in the 1990s. The Dulce Pontes version was part of the soundtrack of the Hollywood thriller ‘Primal Fear’ (1996). Later, many cover versions were released in several languages by artists such as Hélène Segara and Sarah Brightman. Ferrer Trindade lived long enough to witness the ‘second life’ of his composition.

Amália Rodrigues included several more songs by Trindade in her repertoire, such as ‘Nem as paredes confesso’. Other artists for which Ferrer Trindade composed songs, include Lenita Gentil and Adélia Pedrosa. Still as a composer, he won first prize in the 1968 Festival of Figueira da Foz with his song ‘Olhos de Veludo’, interpreted by Artur Garcia. Another of Trindade’s melodies, ‘Welvichia de ouro’, won the music festival of Luanda in Angola, a Portuguese colony. He won the Grande Marcha Festival in Setúbal on no fewer than four occasions.

In 1956, during the days of the first experimental broadcasts of Portuguese television from the Feira Popular studios in Lisbon, Ferrer Trindade was the first in his country to conduct an orchestra on the TV screen. In the 1950s and 1960s, he was one of the most sought after musical directors for television and radio broadcasts, amongst which the popular radio entertainment programme Os Companheiros da Alegria, which ran from 1951 to 1969.

Trindade remained active as both a composer and conductor even in old age. He founded a new amateur orchestra in Setúbal, the Sociedade Musical Capricho Setubalense Band. He was awarded with various decorations; the Gold Medal of the Portuguese broadcaster for his merits as a composer, the Medal of Artistic Merit of the Setúbal province, and the Honorary Medal of the City of Setúbal in recognition of his career in music and his high artistic level. 

In 1999, Ferrer Trindade passed away following a bronchial infection, aged 81. In his native town of Barreiro, a street was named after him.


EUROVISION SONG CONTEST

Ferrer Trindade was commissioned by RTP to be the musical director of the 1969 Grande Prémio TV da Canção, as the Portuguese Eurovision preliminaries were referred to in those days. For the first time since this competition was held (in 1964), some performers used the right to choose their own conductor, which is the reason why Trindade lead his orchestra for only 8 of the 10 participating songs, the other two maestros being Manuel Diamantino Viegas and José Mesquita. Trindade conducted the entries performed by Tereza Paula Brito, Madalena Iglésias, Duo Ouro Negro, Daniel, Lilly Tchiumba, Artur Garcia, Fernando Tordo, and Simone de Oliveira. However, none of the arrangements of the participating songs were written by him. The orchestration to the winning song ‘Desfolhada’, performed by Simone de Oliveira, was penned by none other than Joaquim Luís Gomes, who had been Portugal’s conductor in the 1968 contest in London.

Trindade joined Simone de Oliveira at the Eurovision Song Contest in Madrid, where she gave an inspired performance of the song that had by then been renamed ‘Desfolhada Portuguesa’. Because in the Spanish orchestra which Trindade conducted, there was no Portuguese guitarist, this instrument was played on stage alongside De Oliveira by a Portuguese soloist. ‘Desfolhada Portuguesa’ came second-last in a field of sixteen participating countries, scoring four points. Officials of RTP, the Portugal’s broadcaster, felt so enraged by the voting procedure, that it was decided upon to withdraw from the 1970 contest in Amsterdam.

Trindade (front left, back to the camera) conducting the orchestra for Simone de Oliveira's performance of 'Desfolhada Portuguesa' in the 1969 Eurovision Song Contest in Madrid

OTHER ARTISTS ABOUT FERRER TRINDADE

Paula Costa was involved with Trindade in the formation of the Sociedade Musical Capricho Setubalense Band, “Ferrer Trindade was a very dynamic person, but very demanding at the same time, and always willing to work with others. Our country has lost a brilliant musician, who, with his great compositions, carried Portuguese music beyond the borders of our country into the world.” (1999)

EUROVISION INVOLVEMENT YEAR BY YEAR

Country – Portugal
Song title – "Desfolhada Portuguesa"
Rendition – Simone de Oliveira
Lyrics – José Carlos Ary dos Santos
Composition – Nuno Nazareth Fernandes
Studio arrangement – Joaquim Luís Gomes
(studio orchestra conducted by Joaquim Luís Gomes)
Live orchestration – Joaquim Luís Gomes
Conductor – Ferrer Trindade
Score – 15th place (4 votes)


SOURCES & LINKS
  • In order to compile Ferrer Trindade's biography, various open sources were consulted
  • The best source on Portugal’s involvement in the Eurovision Song Contest, the website Festivais da Canção

Monday, 18 October 1971

ØIVIND BERGH

Born: December 3rd, 1909, Hamar (Norway)
Died: January 25th, 1987, Oslo (Norway)
Nationality: Norwegian

In due course, the short impression below will be replaced with a more extensive career overview


BIOGRAPHY

Øivind Bergh studied violin in Dresden, Germany (1931-33). During the 1930s, Bergh, who was a multi-instrumentalist (e.g. saxophone, double-bass), played in various Oslo entertainment orchestras, amongst others those of Kristian Hauger and Willie Vieth. At the same time, he worked in the recording studios as a musician and, later, as a musical director with those same ensembles and many Norwegian vocalists. From 1939 until 1946, he was conductor of the Bristolorkester, Oslo.

In 1946, Bergh’s orchestra was merged with the band of Norwegian radio to form the Kringkastingsorkester, the new orchestra of national broadcaster NRK. Bergh led this ensemble for exactly thirty years, until he was pensioned in 1976. With the Kringkastingsorkester, Bergh performed in countless radio and television shows, most famously the Schlagerparaden, a popular music show in the 1960s. Occasionally, he hosted radio and TV shows as well, such as Meloditimen and some editions of the Melodi Grand Prix, the Norwegian Eurovision heats, in which his orchestra accompanied all participants. When he left the Kringkastingsorkester in 1976, a tribute show called ‘Øivind het han…’ was broadcast on nationwide television.

EUROVISION SONG CONTEST

Øivind Bergh was the conductor of all Norwegian Eurovision Song Contest entries in the 1960s (including the country’s very first entry in 1960, ‘Voi-voi’), with the exception of the 1964 effort, when he was replaced by Karsten Andersen. The artists Bergh accompanied, were Nora Brockstedt (1960, 1961), Inger Jacobsen (1962), Anita Thallaug (1963), Kirsti Sparboe (1965, 1967, 1969), Åse Kleveland (1966), and Odd Børre (1968). Thus, Bergh came to a total of nine conducted songs, of which ‘Intet er nytt under solen’ (1966) did best; this entry came third.

EUROVISION INVOLVEMENT YEAR BY YEAR

Country – Norway
Song title – "Voi-voi"
Rendition – Nora Brockstedt
Lyrics – Georg Elgaaen
Composition – Georg Elgaaen
Studio arrangement – Egil Monn-Iversen
Live orchestration – Carsten Klouman
Conductor – Øivind Bergh
Score – 4th place (11 votes)

Country – Norway
Song title – "Sommer i Palma"
Rendition – Nora Brockstedt
Lyrics – Egil Hagen
Composition – Jan Wølner
Studio arrangement – Egil Monn-Iversen
Live orchestration – Egil Monn-Iversen
Conductor – Øivind Bergh
Score – 7th place (10 votes)

Country – Norway
Song title – "Kom sol, kom regn"
Rendition – Inger Jacobsen
Lyrics – Ivar Andersen
Composition – Kjell Karlsen
Studio arrangement – Carsten Klouman
Live orchestration – Carsten Klouman
Conductor – Øivind Bergh
Score – 10th place (2 votes)

Country – Norway
Song title – "Solhverv"
Rendition – Anita Thallaug
Lyrics – Dag Kristoffersen
Composition – Dag Kristoffersen
Studio arrangement (Jan Høiland version) – Jørg Petter Røed
Live orchestration – Carsten Klouman
Conductor – Øivind Bergh
Score – 13th place (0 votes)

Country – Norway
Song title – "Karusell"
Rendition – Kirsti Sparboe
Lyrics – Jolly Kramer Johansen
Composition – Jolly Kramer Johansen
Studio arrangement – Egil Monn-Iversen
(studio orchestra conducted by Øivind Bergh)
Live orchestration – Egil Monn-Iversen
Conductor – Øivind Bergh
Score – 13th place (1 vote)

Country – Norway
Song title – "Intet er nytt under solen"
Rendition – Åse Kleveland
Lyrics – Arne Bendiksen
Composition – Arne Bendiksen
Studio arrangement – Egil Monn-Iversen
Live orchestration – Egil Monn-Iversen
Conductor – Øivind Bergh
Score – 3rd place (15 votes)

Country – Norway
Song title – "Dukkemann"
Rendition – Kirsti Sparboe
Lyrics – Ola Bjørnsønn Johannessen
Composition – Tor Hultin
Studio arrangement – Egil Monn-Iversen 
(studio orchestra conducted by Kjell Karlsen)
Live orchestration – Egil Monn-Iversen
Conductor – Øivind Bergh
Score – 14th place (2 votes)

Country – Norway
Song title – "Stress"
Rendition –  Odd Børre Sørensen
Lyrics – Ola Bjørnsønn Johannessen
Composition – Tor Hultin
Studio arrangement – Egil Monn-Iversen
(studio orchestra conducted by Kjell Karlsen)
Live orchestration – Rolf Nord
Conductor – Øivind Bergh
Score – 13th place (2 votes)

Country – Norway
Song title – "Oj, oj, oj, så glad jeg skal bli"
Rendition – Kirsti Sparboe
Lyrics – Arne Bendiksen
Composition – Arne Bendiksen
Studio arrangement – Egil Monn-Iversen
(studio orchestra conducted by Kjell Karlsen)
Live orchestration – Egil Monn-Iversen
Conductor – Øivind Bergh
Score – 16th place (1 vote)

Saturday, 16 October 1971

HENRY MAYER

Born: November 18th, 1925, Nuremberg (Germany)
Died: September 22nd, 1998 (Germany)
Nationality: German

In due course, the short impression below will be replaced with a more extensive career overview


BIOGRAPHY

Composer/arranger Henry Mayer (pseudonym of Heinz Meier) composed some major hits, including ‘Sind Sie der Graf von Luxemburg?’ by Dorthe Kollo and ‘Memories Of Heidelberg’ by Peggy March. He also penned the theme for TV series ‘The love boat’. His most famous composition is no doubt Frank Sinatra’s 1965 recording ‘The Summer Wind’, a cover of an originally German song with new English lyrics by Johnny Mercer. 

EUROVISION SONG CONTEST

Henry Mayer composed, arranged, and conducted the Swiss entry in the 1969 Eurovision Song Contest, ‘Bonjour, bonjour’, which was sung by Paola del Medico; the lyrics were by Jack Stark. The song came fifth, immediately behind the four winning songs of that year (Netherlands, France, Spain, United Kingdom).

EUROVISION INVOLVEMENT YEAR BY YEAR

Country – Switzerland
Song title – "Bonjour, bonjour"
Rendition – Paola Del Medico
Lyrics – Jack Stark
Composition – Henry Mayer
Studio arrangement – Henry Mayer
(studio orchestra conducted by Henry Mayer)
Live orchestration – Henry Mayer
Conductor – Henry Mayer
Score – 5th place (13 votes)