Monday, 21 October 2013

In memoriam GIANNI FERRIO (1924-2013) (

On October 21st, 2013, Gianni Ferrio passed away, aged 88. He conducted two songs in the 1965 Eurovision Song Contest, held in Naples.

From the 1940s onwards, Gianni Ferrio worked as an arranger and studio conductor for different record companies (including RCA Victor and CGD) and a string of artists, most notably Mina, with whom he had a lifelong working relationship, up until her last album in 2005. He wrote some of Mina’s best-known songs, including ‘Non gioco più’ (1975). His most famous composition is arguably ‘Paroles, paroles’, which, sung by Dalida and Alain Delon, became a European hit in 1973. He wrote scores to more than seventy feature films, amongst which ‘Un dollaro bucato’ (1965) and ‘Tutti a squola’ (1979).

As a conductor, he worked on many broadcasts of Italian public TV network RAI; he was the musical director of the Sanremo Festivals on two occasions, in partnership with William Galassini (in 1959) and Cinico Angelini (in 1962). In those days, Ferrio was considered to be a modernist conductor, because his orchestra included a prominent brass section. In 2007, he made a surprise return to the Sanremo Festival (after an absence of 45 years!) as the composer, arranger, and conductor of Johnny Dorelli’s ballad ‘Meglio così’.

Gianni Ferrio was the musical director of the tenth Eurovision Song Contest, held in Naples in 1965. He not only conducted the Italian entry ‘Se piangi, se ridi’ (sung by Bobby Solo), but also the songs submitted by Austria and Ireland – the first ever Irish entry in the contest.

Some links:

Gianni Ferrio's biography on

Gianni Ferrio's Eurovision performances in 1965:
Italy (Bobby Solo):
Ireland (Butch Moore):

Gianni Ferrio in Sanremo 2007 with Johnny Dorelli:

Ferrio's best-known composition: Paroles paroles - Dalida / Alain Delon:

Monday, 14 October 2013

In memoriam MATS OLSSON (1929-2013) (

As became known just a couple of days ago, Mats Olsson, Swedish jazz pianist, record arranger, A&R manager, and TV conductor, passed away on September 11th, aged 83. interviewed Mats Olsson in December 2010. Below, a short synopsis of this interview has been added. The full interview can be found by clicking

Already as a child, Mats Olsson developed a passion for modern classical composers Hindemith and Stravinsky; not much later, he discovered jazz music. When his music teacher in secondary school discovered Mats' absolute pitch, the young boy decided to aim at a career as a music professional. Between 1947 and 1950, Olsson studied at Stockholm's Royal Academy of Music. When, however, he concluded that his original ambition of becoming a church organist was - to use his own expression - 'not my cup of tea', he left the academy and continued studying with several teachers privately for some years. Meanwhile, he immersed himself in the Swedish jazz and entertainment scene. Between 1947 and 1958, he played the piano in several orchestras, including those of Seymour Österwall and Thore Ehrling. Moreover, Olsson also penned tons of arrangements for the bands he played in.

In 1957, he was signed by Grammofon AB Electra as its staff arranger. Until 1969, he wrote the record arrangements for many of Sweden's major record stars, including Lars Lerbäck, Jan Malmsjö, Family Four, Towa Carson, and Claes Göran Hederström. Olsson's solo instrumental album 'From Sweden with love' (1958) was a considerable international success. In the last three years with Electra (1967-'69), he doubled as the company's A&R manager. Between 1970 and 1977, Olsson worked for CBS as an arranger and talent scout. In 1977, Olsson founded his own record label, Planet Records, specializing in releasing children's repertoire. In the world of television, Olsson arranged and conducted many jazz and entertainment programmes, most prominently the music quiz 'Notknäckarna' (1981-1990). After selling Planet (1995), he kept on penning brass band and orchestra arrangements which were played in Scandinavia and Germany.

Mats Olsson has a quite impressive Eurovision record, having been involved in the competition in a period spanning thirty-five years (1961-1996). He arranged and conducted countless songs for the Melodifestival, Sweden's Eurovision pre-selection, including winners 'April-april' for Lill-Babs (1961) and 'En gång i Stockholm for Monica Zetterlund (1963). On top of that, he composed the 1973 Melodifestival entry 'En frusen ros'. On the international stage, Olsson conducted three Swedish Eurovision entries: 'Som en dröm' (Östen Warnebring, Vienna 1967), 'Det börjar verka kärlek, banne mej' (Claes-Göran Hederström, London 1968), and, lastly, 'Härliga sommardag' (Family Four, Edinburgh 1972). In 1975, after the musicians of the SR Symphony Orchestra refused Lars Samuelson as their MD, Olsson was requested by Swedish Television to be the chief conductor of the international Eurovision final, which was held in Stockholm.

Claes-Göran Hederström recalls how Mats Olsson showed his professionalism as a conductor in London's Royal Albert Hall (1968): "While we were together at Eurovision in the Royal Albert Hall in London, Mats proved he was able to lead an orchestra in the most literal sense of the word. During one of the days leading up to the contest, we were the last country to rehearse our item. The orchestra musicians were both tired and bored. The drummer, who had an important part in the intro of our song, failed to follow the score correctly. Mats corrected him in a low and distinct voice. However, this musician made the same mistake the second time around. Again, Mats – in an even lower voice – told him that, if he failed to do it right for the third time in a row, he could easily get him replaced. All musicians were dead silent. However, the third time they really nailed it! The saxophonist even rose and played ad lib, which made everybody smile – even the drummer!”

Some links:
Mats Olsson as a singer in a duet with Towa Carson:
One of his Eurovision performances (1968):